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<channel>
	<title> 🗻</title>
	<link>https://lightgetsin.cargo.site</link>
	<description> 🗻</description>
	<pubDate>Tue, 15 Sep 2020 16:29:23 +0000</pubDate>
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	<language>en</language>
	
		
	<item>
		<title>Foxes on the Hill</title>
				
		<link>https://lightgetsin.cargo.site/Foxes-on-the-Hill</link>

		<pubDate>Tue, 15 Sep 2020 15:20:46 +0000</pubDate>

		<dc:creator> 🗻</dc:creator>

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		<description>


Cartography
Foxes on the HillA map is not the territory it represents, but, if correct, it has a similar structure to the territory, which accounts for its usefulness.



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	A Postcard from the Volcano
Wallace Stevens
1923
	Children picking up our bonesWill never know that these were onceAs quick as foxes on the hill;

And that in autumn, when the grapesMade sharp air sharper by their smellThese had a being; breathing frost;

And least will guess that with our bonesWe left much more, left what still isThe look of things, left what we felt




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	At what we saw. The spring clouds blowAbove the shuttered mansion-house,Beyond our gate and the windy sky

Cries out a literate despair.We knew for long the mansion's lookAnd what we said of it became

A part of what it is ... Children,Still weaving budded aureoles,Will speak our speech and never know,



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	Will say of the mansion that it seemsAs if he that lived there left behindA spirit storming in blank walls,
A dirty house in a gutted world,A tatter of shadows peaked to white,Smeared with the gold of the opulent sun.

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	<item>
		<title>The Curtains in the House of the Metaphysician</title>
				
		<link>https://lightgetsin.cargo.site/The-Curtains-in-the-House-of-the-Metaphysician</link>

		<pubDate>Tue, 15 Sep 2020 15:20:47 +0000</pubDate>

		<dc:creator> 🗻</dc:creator>

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Illustration
The Curtains in the House of the Metaphysician

	
		
		
	
	
		
			
				
					The Problem
of Life is old. I have endeavored to approach it afresh, with a
new method, in a new spirit, from a new point of view.

				
			
		
	




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The Curtains in the House of the Metaphysician
Wallace Stevens
1919
 It comes about that the drifting of these curtains 
Is full of long motions, as the ponderous&#38;nbsp;
Deflations of distance; or as clouds&#38;nbsp;
Inseparable from their afternoons;&#38;nbsp;
Or the changing of light, the dropping&#38;nbsp;
Of the silence, wide sleep and solitude&#38;nbsp;
Of night, in which all motion&#38;nbsp;
Is beyond us, as the firmament,&#38;nbsp;
Up-rising and down-falling, bares&#38;nbsp;
The last largeness, bold to see.

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“Harmonium”
Poetry Collection


	Earthy Anecdote
Invective Against Swans
In the Carolinas
The Paltry Nude Starts on a Spring Voyage
The Plot Against the Giant
Infanta Marina
Domination of Black
The Snow Man
The Ordinary Women
The Load of Sugar-Cane
Le Monocle de Mon Oncle
Nuances of a Theme by Williams
Metaphors of a Magnifico
Ploughing on Sunday
Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges
Hibiscus on the Sleeping Shores
Fabliau of Florida
The Doctor of Geneva
Another Weeping Woman
Homunculus et La Belle Etoile
The Comedian as the Letter C
From the Misery of Don Joost
O Florida, Venereal Soil
Last Look at the LilacsThe Worms at Heaven's GateThe Jack-RabbitAnecdote of Men by the ThousandThe Silver Plough BoyThe Apostrophe to VincentineFloral Decorations for BananasAnecdote of CannaOf the Manner of Addressing CloudsOf Heaven Considered as a TombOf the Surface of ThingsAnecdote of the Prince of PeacocksA High-Toned Old Christian WomanThe Place of the SolitairesThe Weeping BurgherThe Curtains in the House of the MetaphysicianBanal SojournDepression Before SpringThe Emperor of Ice-CreamThe Cuban DoctorTea at the Palaz of HoonExposition of the Contents of a CabDisillusionment of Ten O'ClockSunday MorningThe Virgin Carrying a LanternStars at TallapoosaExplanationSix Significant LandscapesBantams in Pine-WoodsAnecdote of the JarPalace of the BabiesFrogs Eat Butterflies. Snakes Eat Frogs. Hogs Eat Snakes. Men Eat Hogs.Jasmine's Beautiful Thoughts Underneath the WillowCortège for RosenbloomTattoo
The Bird with the Coppery, Keen ClawsLife is Motion
ArchitectureThe Wind ShiftsColloquy with a Polish AuntGubbinalTwo Figures in Dense Violet NightTheoryTo the One of Fictive MusicHymn from a Watermelon PavilionPeter Quince at the ClavierThirteen Ways of Looking at a BlackbirdNomad ExquisiteTeaTo the Roaring WindPoems Added to Harmonium (1931)The Man Whose Pharynx Was BadThe Death of a SoldierNegationThe Surprises of the SuperhumanSea Surface Full of CloudsThe Revolutionists Stop for OrangeadeNew England VersesLunar ParaphraseAnatomy of MonotonyThe Public SquareSonatina to Hans ChristianIn the Clear Season of GrapesTwo at NorfolkIndian River
	

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	<item>
		<title>The Common Life</title>
				
		<link>https://lightgetsin.cargo.site/The-Common-Life</link>

		<pubDate>Tue, 15 Sep 2020 15:20:48 +0000</pubDate>

		<dc:creator> 🗻</dc:creator>

		<guid isPermaLink="true">https://lightgetsin.cargo.site/The-Common-Life</guid>

		<description>


Dimensionality
The Common LifeI care not so much what I am to others as what I am to myself. I will be rich by myself, and not by borrowing.


&#60;img width="1314" height="2363" width_o="1314" height_o="2363" data-src="https://freight.cargo.site/t/original/i/383b1e06eeff6f550ff5214eb18efd0ad216570f3520565a677e443d4d9abc45/Franz-Xaver-Messerschmidt-0.jpg" data-mid="82756851" border="0" alt="Foreword to A Theory of Meaning Analyzed" data-caption="Foreword to A Theory of Meaning Analyzed" src="https://freight.cargo.site/w/1000/i/383b1e06eeff6f550ff5214eb18efd0ad216570f3520565a677e443d4d9abc45/Franz-Xaver-Messerschmidt-0.jpg" /&#62;
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&#60;img width="1256" height="2428" width_o="1256" height_o="2428" data-src="https://freight.cargo.site/t/original/i/b51067d068ee831222197603bed74aff084cfe695d785aba0395322b93854e31/Franz-Xaver-Messerschmidt-2.jpg" data-mid="82756854" border="0" alt="A Veteran's Re-Adjustment and Extensional Methods" data-caption="A Veteran's Re-Adjustment and Extensional Methods" src="https://freight.cargo.site/w/1000/i/b51067d068ee831222197603bed74aff084cfe695d785aba0395322b93854e31/Franz-Xaver-Messerschmidt-2.jpg" /&#62;
&#60;img width="1509" height="2360" width_o="1509" height_o="2360" data-src="https://freight.cargo.site/t/original/i/31249152cf6ce7efef96b52820565efe1b2beb0f186dce610cf5992e7d14de8e/Franz-Xaver-Messerschmidt-4.jpg" data-mid="82756857" border="0" alt="Papers from the First American Congress for General Semantics" data-caption="Papers from the First American Congress for General Semantics" src="https://freight.cargo.site/w/1000/i/31249152cf6ce7efef96b52820565efe1b2beb0f186dce610cf5992e7d14de8e/Franz-Xaver-Messerschmidt-4.jpg" /&#62;
&#60;img width="1315" height="2379" width_o="1315" height_o="2379" data-src="https://freight.cargo.site/t/original/i/6f958cc123c8305f50b1b22f222414997c1de36615851c041a94c6afcd04024b/Franz-Xaver-Messerschmidt-3.jpg" data-mid="82756856" border="0" alt="The Logic of Discovery" data-caption="The Logic of Discovery" src="https://freight.cargo.site/w/1000/i/6f958cc123c8305f50b1b22f222414997c1de36615851c041a94c6afcd04024b/Franz-Xaver-Messerschmidt-3.jpg" /&#62;
&#60;img width="1523" height="2207" width_o="1523" height_o="2207" data-src="https://freight.cargo.site/t/original/i/789582621f72cb3ccb759933ab1777bc2ac920e52b8b2fdfc0f9a3d32539e11d/Franz-Xaver-Messerschmidt-5.jpg" data-mid="82756859" border="0" alt="A rational approach to understanding intelligence" data-caption="A rational approach to understanding intelligence" src="https://freight.cargo.site/w/1000/i/789582621f72cb3ccb759933ab1777bc2ac920e52b8b2fdfc0f9a3d32539e11d/Franz-Xaver-Messerschmidt-5.jpg" /&#62;
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&#60;img width="1483" height="2428" width_o="1483" height_o="2428" data-src="https://freight.cargo.site/t/original/i/a8d175bdc80604f3907b3c6ce4dc7cae5adbba0e3746d9547163f6cf684f44a4/Franz-Xaver-Messerschmidt-9.jpg" data-mid="82756862" border="0" alt="Manhood of humanity;the science and art of human engineering" data-caption="Manhood of humanity;&#38;lt;br&#38;gt;the science and art of human engineering" src="https://freight.cargo.site/w/1000/i/a8d175bdc80604f3907b3c6ce4dc7cae5adbba0e3746d9547163f6cf684f44a4/Franz-Xaver-Messerschmidt-9.jpg" /&#62;




The Common Life
Wallace Stevens
&#38;nbsp;1939That’s the down-town frieze, Principally the church steeple,A black line beside a white line,And the stack of the electric plant,A black line drawn on flat air.
It is a morbid lightIn which they stand,Like an electric lampOn a page of Euclid.

In this light a man is a result,
A demonstration, and a woman,
Without rose and without violet,
The shadows that are absent from Euclid,
Is not a woman for a man.
The paper is whiter
For these black lines.
It glares beneath the webs
Of wire, the designs of ink,
The planes that ought to have genius,
The volumes like marble ruins
Outlined and having alphabetical
Notations and footnotes.
The paper is whiter.
The men have no shadows
And the women have only one side.</description>
		
	</item>
		
		
	<item>
		<title>Home</title>
				
		<link>https://lightgetsin.cargo.site/Home</link>

		<pubDate>Tue, 15 Sep 2020 16:29:23 +0000</pubDate>

		<dc:creator> 🗻</dc:creator>

		<guid isPermaLink="true">https://lightgetsin.cargo.site/Home</guid>

		<description>
	&#60;img width="2300" height="2345" width_o="2300" height_o="2345" data-src="https://freight.cargo.site/t/original/i/1e519c86d586da4eb4b58cc109ff7d84e841bd3e12309fb247bb0a25dffe1698/last2.jpg" data-mid="83227522" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/1e519c86d586da4eb4b58cc109ff7d84e841bd3e12309fb247bb0a25dffe1698/last2.jpg" /&#62;
👋 Hello! My name is Jevon, an artist from Singapore. I was looking forward to visiting your city for the Fujinoyama Biennale 2020 this year, but Covid-19 has made travel impossible.

	Still, I am hoping to speak with you.For this project, I have been researching and thinking of Mt. Fuji’s size, significance, and sacredness. Although the mountain is so large, it is not visible to everyone – I certainly cannot see it from Singapore! And even in the cities where you live, near Mt. Fuji, the weather can make the mountain hard to see. Sometimes, even the most majestic of geographic formations succumb to the softest of rain, snow, and clouds.
What once seemed clear to you but now less so? And vice versa?Is there anything to you – an idea, a future, skill, god, person –&#38;nbsp; that can feel both certain and mysterious? Thinking about Mt. Fuji, how do these ideas of largeness, visibility, and distance – physical, emotional, spiritual – make you feel?


	What (or who) do you wish to be closer to?
When we interact online, we will be over 5000 kilometres away, over 100 Mt. Fujis apart. I wonder: are there things that might appear in our conversation precisely because of distance and anonymity?
In the past, before roads were built, people in Japan had to admire Mt. Fuji from afar, as early poets, writers, and painters often did. Now, in these times of restricted mobility, we return to an ancient way of seeing: from a distance. Whether near or far, large or small, visible or invisible, some idea of Mount Fuji – and our dreams, desires, hopes, fears – exist. 
Across this distance, I hope to get to know you and your city better.

↳ Click here to participate

	
	
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