Light Gets In is a collaborative art project, co-created with the input of residents near Mt. Fuji and in Japan.


Thinking through Mt. Fuji as a subject, this project is motivated by 3 questions:

1. How does a body function as a site of contradictions?
Amongst others, Mt. Fuji has been a symbol of power and beauty, prefectural and national exceptionalism, fire and water. It is a symbol of fear and favour, both for its potential for destruction – it remains an active volcano – and abundance – minerals and spring water continue to flow from the mountain, fuelling agricultural, cultural, and industrial activities today.

2. How are symbols re/de/constructed?
Early impressions of Mt. Fuji, as catalogued in Japan’s earliest poetic anthology Man’yōshū in the eighth-century, differ based on an individual’s social status, distance, and elevation to the mountain. The meaning ascribed to the mountain is, in part, a cultural creation depending on one’s vantage point.

3. What makes things "sacred"?
Even secular activities surrounding the mountain today promote its cleansing and awe-inducing properties. Meanwhile, in the present-day continued practice of descendants of Fujikō (Fuji-based religions), sacredness is retained in the veneration of several different sources: the founder of the religion, religious artefacts, or the mountain itself.

How are these questions also applicable to us, reified in the ways that we live, act, and believe? 
Project By:
Jevon Chandra
Translations By:
Evan Ma
Special thanks:
NAC Singapore
Staff of Fujinoyama Biennale
Project Participants
A project by Jevon Chandra for Fujinoyama Biennale 2020. All Rights Reserved.